For one month beginning September 12, the Friedman Benda gallery will present Paul Cocksedge: CAPTURE, the British designer's inaugural solo exhibition in New York City. The exhibition is a new series of concepts informed by Cocksedge’s commitment to technological ingenuity, expanding the boundaries of physics, and the creation of works that are both thought provoking and unexpected.
It will introduce new works developed by Cocksedge over the last four and half years that push the mediums of light and structure, including a large-scale light installation, a collection of dramatic, seemingly impossible, hand-wrought dome lamps, and Poised, a series of unyielding steel tables inspired by the delicacy of paper.
The works include Capture, a 5 ¼ feet hand-spun aluminum dome that appears to "hold" the peaceful glow of a warm white light. The piece is informed by a process of reduction—a recurring theme in Cocksedge's work-as it subtracts the typical infrastructure around light, instead creating a hemisphere that seems to stop light from escaping.
For White Light, Cocksedge will create a room within the gallery in which everything and nothing changes. For this work, the designer will create an illuminated mosaic of precisely calibrated and positioned colored panels on the ceiling of the gallery. The ceiling will slowly fade from a spectrum of colors to a warm white light, while the room itself will remain unchanged, demonstrating the ways in which we do and do not perceive the interplay of color and light.
The inspiration for Poised comes from the elegance and amenability of paper. Half a ton in weight, the steel table appears improbable upon investigation. Created following an intensive series of calculations regarding gravity, mass and equilibrium, the table looks as though it is about to fall, but is perfectly weighted and stable.
In addition to these new works, Cocksedge will present three architectural models that take conceptual threads from Capture and White Light and reapply them to architectural settings outside of the gallery space. Central to Cocksedge's work is an appreciation for the ways in which people respond to and interact with his designs. As a result, potential real world applications of these new works will be explored in a series of architectural models.
Known for exploring the limits of technology, materials and manufacturing capabilities, Paul Cocksedge Studio has produced both commercial and experimental work, as well as a series of high-profile public installations around the world.
An opening reception will be held on Thursday, September 12, from 6:00 – 8:00 p.m. at the gallery at 515 West 26th Street.
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